This exciting overture opens with a fanfare section that emphasizes the brass and is active rhythmically as well as harmonically. A strong, full sound will result from the richly scored chromatic parallel triads. For musical contrast, the middle section is quasi-rubato and very lyrical, relying mainly on the woodwinds with low brass added later. The transition back to the original rhythmic fanfare is smoothly written and effectively brings the work to a close.